Skylight, dust, smoke and cinders have been central elements in this work and allow it to explore and stretch photography’s process of recording time and space. Snow-light Reversal I & II were recorded on E6 slide film, a format that does not need a photographic negative. I treated these slides as negatives in the colour darkroom to produce a reversed positive print and introduce an unnatural element of time to each frame.
Shadow Dial Study IIv; Hillstead Snow Light Reversal; South
Archival Pigment Print, 50x50cm , Edition of 20