Proof of Ghosts

Proof of Ghosts; Dust, Foreboding & Death Mask; Belfast Exposed; April 2022

Proof of Ghosts, online preview, Brighton Photo Fringe 2022

A Midpoint

“One’s relationship to one’s own shadow -which is not the same as oneself, which one does not own, but which is an inescapable attribute and accompaniment, was for me a memorable conundrum. A midpoint between between a familiar self and the otherness of the rest of the world. It is both of one and separate…

Dust to dust

 Originally the project was about how we establish identity through recording time. I was planning to explore it through looking at how photography reveals presence by capturing absences in stories eg: through negatives, shadows, shutters and the involuntary/sub conscious , and my methodology was based on shadow catching.  “One’s relationship to one’s own shadow -which…

Pareidolia

The Shock of the Now iv Pareidolia; the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern. I’ve always loved working with negative space, the area of absence naturally overlooked, the parts that can get cut out. Looking through the wake contact sheets he suddenly appeared in full life…

Death Mask

Shock of Now iii; Trace ’The photograph is literally an emanation of the referent.  From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant’. Roland Barthes, Camera Lucida p80. The lines on his face, distinctive, deep lines for such a youthful looking man, around…

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